| The impact of technological advances on recording studio practices A Pras, C Guastavino, M Lavoie Journal of the American Society for Information Science and Technology 64 (3 …, 2013 | 87 | 2013 |
| The role of music producers and sound engineers in the current recording context, as perceived by young professionals A Pras, C Guastavino Musicae Scientiae 15 (1), 73-95, 2011 | 70 | 2011 |
| Subjective evaluation of mp3 compression for different musical genres A Pras, R Zimmerman, D Levitin, C Guastavino Audio Engineering Society Convention 127, 2009 | 44 | 2009 |
| What about their performance do free jazz improvisers agree upon? A case study A Pras, MF Schober, N Spiro Frontiers in psychology 8, 263067, 2017 | 36 | 2017 |
| Sampling rate discrimination: 44.1 khz vs. 88.2 khz A Pras, C Guastavino Audio Engineering Society Convention 128, 2010 | 35 | 2010 |
| Record producers’ best practices for artistic direction—from light coaching to deeper collaboration with musicians A Pras, C Cance, C Guastavino Journal of New Music Research 42 (4), 381-395, 2013 | 26 | 2013 |
| Combining musical tasks and improvisation in evaluating novel digital musical instruments M Ghamsari, A Pras, MM Wanderley Proceedings of the International Symposium on Computer Music …, 2013 | 19 | 2013 |
| Do we really want to keep the gate threshold that high? G Brooks, A Pras, A Elafros, M Lockett Arts and Science, 2021 | 16 | 2021 |
| The impact of producers’ comments and musicians’ self-evaluation on perceived recording quality A Pras, C Guastavino Journal of Music, Technology and Education 6 (1), 81-101, 2013 | 14 | 2013 |
| Production processes of pop music arrangers in Bamako, Mali» A Pras, T Bol, K Turner, E Olivier Journal of the Audio Engineering Society, 2019 | 13 | 2019 |
| Musicians’ binaural headphone monitoring for studio recording V Bauer, H Déjardin, A Pras Audio Engineering Society Convention 144, 2018 | 8 | 2018 |
| What has been left unsaid about studio practices: How producers and engineers prepare, manage, and direct recording sessions A Pras Music, Technology, and Education, 27-44, 2016 | 8 | 2016 |
| L’échantillonnage dans l’improvisation: Rencontre de deux instigateurs du free jazz avec un jeune artiste de la scène noise à New York A Pras, G Lavergne Musicae scientiae 19 (4), 433-451, 2015 | 8 | 2015 |
| A case study of cultural influences on mixing practices A Pras, B De Man, JD Reiss Audio Engineering Society Convention 144, 2018 | 7 | 2018 |
| The generation gap—perception and workflow of analog vs. digital mixing R Chambers-Moranz, A Pras, N Thomas Audio Engineering Society Convention 147, 2019 | 6 | 2019 |
| Augmented reality to improve orchestra conductors’ headphone monitoring D Soudoplatoff, A Pras Audio Engineering Society Convention 142, 2017 | 6 | 2017 |
| Irréductibles défenseurs de la composition improvisée à New York A Pras Critical Studies in Improvisation/Études critiques en improvisation 10 (2), 2015 | 6 | 2015 |
| Research and creative adventures with distinguished improvisers from New York City A Pras vs. Interpretation: An Anthology on Improvisation, ed D. Rothenberg (Prague …, 2015 | 5 | 2015 |
| Généalogies des professionnels du studio d’enregistrement à Bamako (Mali) E Olivier, A Pras Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2022 | 4 | 2022 |
| Binaural headphone monitoring to enhance musicians’ immersion in performance V Bauer, D Soudoplatoff, L Menon, A Pras Advances in Fundamental and Applied Research on Spatial Audio, 2022 | 4 | 2022 |
