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Georgina Born
Georgina Born
Professor of Music and Anthropology, University of Oxford
Verified email at music.ox.ac.uk
Title
Cited by
Cited by
Year
Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde
G Born
Univ of California Press, 1995
8881995
Uncertain vision: Birt, Dyke and the reinvention of the BBC
G Born
Random House, 2011
8622011
Logics of interdisciplinarity
A Barry, G Born, G Weszkalnys
Economy and society 37 (1), 20-49, 2008
7572008
On musical mediation: Ontology, technology and creativity
G Born
Twentieth-century music 2 (1), 7-36, 2005
4972005
Interdisciplinarity: reconfigurations of the social and natural sciences
A Barry, G Born
Interdisciplinarity, 1-56, 2013
3992013
Music and the materialization of identities
G Born
Journal of Material Culture 16 (4), 376-388, 2011
3352011
The social and the aesthetic: For a post-Bourdieuian theory of cultural production
G Born
Cultural Sociology 4 (2), 171-208, 2010
3262010
For a relational musicology: music and interdisciplinarity, beyond the practice turn: the 2007 dent medal address
G Born
Journal of the Royal Musical Association 135 (2), 205-243, 2010
2882010
Music, sound and space: Transformations of public and private experience
G Born
Cambridge University Press, 2013
2642013
Introduction: on difference, representation and appropriation in music
G Born, D Hesmondhalgh
University of California Press, 2000
2432000
Art-science: From public understanding to public experiment
G Born, A Barry
Journal of Cultural Economy 3 (1), 103-119, 2010
1852010
Culture and consumerism: Citizenship, public service broadcasting and the BBC’s fair trading obligations
G Born, T Prosser
The Modern Law Review 64 (5), 657-687, 2001
1532001
Strategy, positioning and projection in digital television: Channel Four and the commercialization of public service broadcasting in the UK
G Born
Media, Culture & Society 25 (6), 774-799, 2003
1352003
Music technology, gender, and class: Digitization, educational and social change in Britain
G Born, K Devine
Twentieth-Century Music 12 (2), 135-172, 2015
1282015
David Hesmondhalgh, eds. 2000
G Born
Western music and its others: Difference, representation, and appropriation …, 0
114
Introduction-music, sound and space: transformations of public and private experience
G Born
Cambridge University Press, 2013
1032013
Inside television: television studies and the sociology of culture
G Born
Screen 41 (4), 404-424, 2000
1002000
Listening, mediation, event: Anthropological and sociological perspectives
G Born
Journal of the Royal Musical Association 135 (S1), 79-89, 2010
852010
Music and the Social
G Born
The Cultural Study of Music, 283-296, 2012
822012
Afterword: music policy, aesthetic and social difference
G Born
Rock and popular music: Politics, policies, institutions, 266-292, 1993
761993
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