Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde G Born Univ of California Press, 1995 | 888 | 1995 |
Uncertain vision: Birt, Dyke and the reinvention of the BBC G Born Random House, 2011 | 862 | 2011 |
Logics of interdisciplinarity A Barry, G Born, G Weszkalnys Economy and society 37 (1), 20-49, 2008 | 757 | 2008 |
On musical mediation: Ontology, technology and creativity G Born Twentieth-century music 2 (1), 7-36, 2005 | 497 | 2005 |
Interdisciplinarity: reconfigurations of the social and natural sciences A Barry, G Born Interdisciplinarity, 1-56, 2013 | 399 | 2013 |
Music and the materialization of identities G Born Journal of Material Culture 16 (4), 376-388, 2011 | 335 | 2011 |
The social and the aesthetic: For a post-Bourdieuian theory of cultural production G Born Cultural Sociology 4 (2), 171-208, 2010 | 326 | 2010 |
For a relational musicology: music and interdisciplinarity, beyond the practice turn: the 2007 dent medal address G Born Journal of the Royal Musical Association 135 (2), 205-243, 2010 | 288 | 2010 |
Music, sound and space: Transformations of public and private experience G Born Cambridge University Press, 2013 | 264 | 2013 |
Introduction: on difference, representation and appropriation in music G Born, D Hesmondhalgh University of California Press, 2000 | 243 | 2000 |
Art-science: From public understanding to public experiment G Born, A Barry Journal of Cultural Economy 3 (1), 103-119, 2010 | 185 | 2010 |
Culture and consumerism: Citizenship, public service broadcasting and the BBC’s fair trading obligations G Born, T Prosser The Modern Law Review 64 (5), 657-687, 2001 | 153 | 2001 |
Strategy, positioning and projection in digital television: Channel Four and the commercialization of public service broadcasting in the UK G Born Media, Culture & Society 25 (6), 774-799, 2003 | 135 | 2003 |
Music technology, gender, and class: Digitization, educational and social change in Britain G Born, K Devine Twentieth-Century Music 12 (2), 135-172, 2015 | 128 | 2015 |
David Hesmondhalgh, eds. 2000 G Born Western music and its others: Difference, representation, and appropriation …, 0 | 114 | |
Introduction-music, sound and space: transformations of public and private experience G Born Cambridge University Press, 2013 | 103 | 2013 |
Inside television: television studies and the sociology of culture G Born Screen 41 (4), 404-424, 2000 | 100 | 2000 |
Listening, mediation, event: Anthropological and sociological perspectives G Born Journal of the Royal Musical Association 135 (S1), 79-89, 2010 | 85 | 2010 |
Music and the Social G Born The Cultural Study of Music, 283-296, 2012 | 82 | 2012 |
Afterword: music policy, aesthetic and social difference G Born Rock and popular music: Politics, policies, institutions, 266-292, 1993 | 76 | 1993 |