| Brands and Instagram: Point, tap, swipe, glance N Carah, M Shaul Mobile Media & Communication 4 (1), 69-84, 2016 | 298 | 2016 |
| Algorithmic brand culture: participatory labour, machine learning and branding on social media N Carah, D Angus Media, Culture & Society 40 (2), 178-194, 2018 | 121 | 2018 |
| Pop brands: Branding, popular music, and young people N Carah Peter Lang, 2010 | 105 | 2010 |
| Algorithmic brands: A decade of brand experiments with mobile and social media N Carah New Media & Society 19 (3), 384-400, 2017 | 102 | 2017 |
| Digital intimate publics and social media AS Dobson, B Robards, N Carah palgrave macmillan, 2018 | 92 | 2018 |
| Media and society: Production, content and participation N Carah, E Louw Sage, 2015 | 91 | 2015 |
| Alcohol brands on Facebook: the challenges of regulating brands on social media S Brodmerkel, N Carah Journal of Public Affairs 13 (3), 272-281, 2013 | 90 | 2013 |
| Alcohol marketing in the era of digital media platforms N Carah, S Brodmerkel Journal of studies on alcohol and drugs 82 (1), 18-27, 2021 | 86 | 2021 |
| Digital intimate publics and social media: Towards theorising public lives on private platforms AS Dobson, N Carah, B Robards Digital intimate publics and social media, 3-27, 2018 | 71 | 2018 |
| Queensland alcohol-related violence and night time economy monitoring project (QUANTEM): a study protocol PG Miller, J Ferris, K Coomber, R Zahnow, N Carah, H Jiang, K Kypri, ... BMC public health 17, 1-12, 2017 | 67* | 2017 |
| Algorithmic hotness: Young women’s “promotion” and “reconnaissance” work via social media body images N Carah, A Dobson Social Media+ Society 2 (4), 2056305116672885, 2016 | 62 | 2016 |
| Like, comment, share: Alcohol brand activity on Facebook N Carah Foundation for Alcohol Research & Education, 2014 | 60 | 2014 |
| Brands and sociality: Alcohol branding, drinking culture and Facebook N Carah, S Brodmerkel, L Hernandez Convergence 20 (3), 259-275, 2014 | 58 | 2014 |
| Brand value: how affective labour helps create brands N Carah Consumption Markets & Culture 17 (4), 346-366, 2014 | 57 | 2014 |
| Curators of databases: Circulating images, managing attention and making value on social media N Carah Media International Australia 150 (1), 137-142, 2014 | 55 | 2014 |
| Brand machines, sensory media and calculative culture S Brodmerkel, N Carah Springer, 2016 | 44 | 2016 |
| Snapchat’s augmented reality brand culture: sponsored filters and lenses as digital piecework K Hawker, N Carah Continuum 35 (1), 12-29, 2021 | 40 | 2021 |
| Profiling Hello Sunday Morning: who are the participants? N Carah, C Meurk, W Hall International Journal of Drug Policy 26 (2), 214-216, 2015 | 40 | 2015 |
| Emerging social media ‘platform’approaches to alcohol marketing: a comparative analysis of the activity of the top 20 Australian alcohol brands on Facebook (2012-2014) N Carah, C Meurk, M Males, J Brown Critical Public Health 28 (1), 70-80, 2018 | 37 | 2018 |
| Watching nightlife: Affective labor, social media, and surveillance N Carah Television & New Media 15 (3), 250-265, 2014 | 36 | 2014 |
Daniel AngusProfessor of Digital Communication, Queensland University of TechnologyVerified email at qut.edu.au
