| REWIND| British Artists’ Video in the 1970s & 1980s.(Edited Book (pp 224 130, 00 words) Chapters from Sean Cubitt, Grahame Weinbren, Yvonne Spielmann, Malcolm Dickson, Stephen … S Cubitt, S Partridge John Libbey Publishing, 2012 | 12 | 2012 |
| Video: Incorporeal, Incorporated S Partridge Experimental film and video: an anthology, 180-189, 2006 | 7 | 2006 |
| REWIND| Italia, Early Video Art in Italy: I primi anni della videoarte in Italia L Leuzzi, S Partridge e152| Figure del mito: presenze e rappresentazioni 152, 137, 2019 | 6 | 2019 |
| A Kick in the Eye: video and expanded cinema in Britain S Partridge Expanded cinema: art, performance, film, 136-147, 2011 | 4 | 2011 |
| EWVA: European Women's Video Art in the 70s and 80s L Leuzzi, E Shemilt, S Partridge John Libbey Publishing, 2019 | 3 | 2019 |
| Artists’ Television: Interruptions–Interventions S Partridge Lost and Found: Video and Installation Works 1976-2010, 75-90, 2012 | 3 | 2012 |
| Body, sign and double: a parallel analysis of Elain Shemilt's" Doppelganger", Federica Marangoni's" The box of life", and Sanja Ivekovic's" Instructions no. 1" and" Make up … L Leuzzi, E Shemilt, S Partridge Gli Ori, 2015 | 2 | 2015 |
| Body, Sign and Double: a Parallel Analysis of Elaine Shemilt’s Doppelganger, Federica Marangoni’s The Box of Life and Sanja Ivekovic ́’s Instructions N° 1 and Make up-Make down S Partridge, L Leuzzi, E Shemilt Media Art Towards a New Definition of Arts in the Age of Technology, 2015 | 2 | 2015 |
| Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects. L Leuzzi, S Partridge, A Lockhart BCS, The Chartered Institute for IT, 2019 | 1 | 2019 |
| Fusion, difference and conflict S Partridge Venice Agendas IV: Neighbours in Dialogue, 116-122, 2005 | 1 | 2005 |
| Richard Demarco| The Italian Connection L Leuzzi, E Shemilt, S Partridge John Libbey Publishing, 2022 | | 2022 |
| London’s Arts Labs and the 60s Avant-Garde S Partridge Leonardo 54 (4), 473-474, 2021 | | 2021 |
| DAVID HALL: SITUATIONS ENVISAGED S Partridge RICHARD SALTOUN GALLERY 41 Dover Street London W1S 4NS, 2020 | | 2020 |
| EWVA European Women's Video Art in the 70s and 80s: un caso di studio L Leuzzi, E Shemilt, S Partridge Sopravvivenza programmata. Etiche e pratiche di conservazione, dall'arte …, 2020 | | 2020 |
| Re-enacting Early Video Art as a Research Tool for Media Art Histories S Partridge, L Leuzzi Digital art through the looking glass, 2019 | | 2019 |
| Approaches, Strategies and Theoretical and Practice-Based Research Methods to investigate and archive video art. Some reflections from the REWIND projects S Partridge, L Leuzzi, A Lockhart BCS Learning & Development, 2019 | | 2019 |
| European Women’s Video Art E Shemilt | | 2019 |
| 3 Generations of Women Artists Perform: Screening, Performances, Talk_Threshold artspace, Perth Concert Hall L Leuzzi, A Lockhart, E Shemilt, S Partridge, I Nedkova, P Spence | | 2018 |
| The Time is Right for... Screening_Summerhall, Edinburgh_20th September 2017 L Leuzzi, A Lockhart, E Shemilt, S Partridge | | 2017 |
| The Time is Right for... Exhibition, Summerhall, Edinburgh, 2 August-24 September 2017: KETTY LA ROCCA, MARIKKI HAKOLA, GINY VOS, ELAINE SHEMILT L Leuzzi, A Lockhart, E Shemilt, S Partridge | | 2017 |
Laura LeuzziGray's School of Art, RGUVerified email at rgu.ac.uk
