| New directions in mobile media and performance C Baker Routledge, 2018 | 20 | 2018 |
| The virtual production studio concept–an emerging game changer in filmmaking M Kavakli, C Cremona 2022 IEEE Conference on Virtual Reality and 3D User Interfaces (VR), 29-37, 2022 | 11 | 2022 |
| Networks of Design: Proceedings of the 2008 Annual International Conference of the Design History Society (UK) J Glynne, F Hackney, V Minton Universal-Publishers, 2010 | 9 | 2010 |
| REWIND| Italia, Early Video Art in Italy: I primi anni della videoarte in Italia L Leuzzi, S Partridge e152| Figure del mito: presenze e rappresentazioni 152, 137, 2019 | 6 | 2019 |
| Beyond Pollock: on visual art objects as non-traditional forms of performance document L Campbell International Journal of Performance Arts and Digital Media 10 (1), 35-47, 2014 | 6 | 2014 |
| Re-enacting early video art as a research tool for media art histories L Leuzzi Digital art through the looking glass: new strategies for archiving …, 2019 | 5 | 2019 |
| Embracing the ephemeral: lost and recovered video artworks by Elaine Shemilt from the 70s and 80s L Leuzzi Arabeschi 7 (Jan-June), 2016 | 4 | 2016 |
| EWVA: European Women's Video Art in the 70s and 80s L Leuzzi, E Shemilt, S Partridge John Libbey Publishing, 2019 | 3 | 2019 |
| Skype and videoperformance: relational screens C Cremona 17th International Symposium on Electronic Art, Istanbul, 2011 | 3 | 2011 |
| The Evolution of the Virtual Production Studio as a Game Changer in Filmmaking C Cremona, M Kavakli Creating Digitally: Shifting Boundaries: Arts and Technologies—Contemporary …, 2023 | 2 | 2023 |
| Networked commensals: Bodily, relational and performative affordances of sharing food remotely C Cremona Art and Dance in Dialogue: Body, Space, Object, 19-38, 2020 | 2 | 2020 |
| Politicising'independent'curatorial practice under neoliberalism: critical responses to the structural pressures of project-making J Szreder Loughborough University, 2015 | 2 | 2015 |
| Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects. L Leuzzi, S Partridge, A Lockhart BCS, The Chartered Institute for IT, 2019 | 1 | 2019 |
| Transmitting Feminisms H Reckitt, D Baker Smith, C Cremona, G Damiani, L Džuverović, ... Atlas Projectos, 2019 | 1 | 2019 |
| Intimations: videoperformance and relationality C Cinzia University of Westminster, 2014 | 1 | 2014 |
| Giving, Going, Gone: Variations on Derrida's Death of the Gift MA Tata Parallax 16 (1), 47-55, 2010 | 1 | 2010 |
| Digital Aesthetic 2 conference and exhibition, University of Central Lancashire, Preston, 16—17 March 2007 C Cremona Animation 2 (3), 297-300, 2007 | 1 | 2007 |
| Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation E Rosamond Intellect Books, 2023 | | 2023 |
| Immersive Sims: A New Paradigm or a New Game Genre? M Blasonato, C Cremona, M Kavakli, D Staines International Conference on Human-Computer Interaction, 18-39, 2022 | | 2022 |
| Transacting as Art, Design and Architecture: A Non-Commercial Market M Bradfield, C Cremona, AMDE Sajovic Intellect Books, 2022 | | 2022 |
Laura LeuzziGray's School of Art, RGUVerified email at rgu.ac.uk
