| On creative engagement E Edmonds, L Muller, M Connell Visual communication 5 (3), 307-322, 2006 | 168 | 2006 |
| Understanding the experience of interactive art: Iamascope in Beta_space B Costello, L Muller, S Amitani, E Edmonds ACM International Conference Proceeding Series 123, 49-56, 2005 | 131 | 2005 |
| Living laboratories for interactive art L Muller, E Edmonds, M Connell CoDesign 2 (4), 195-207, 2006 | 85 | 2006 |
| Artist, evaluator and curator: three viewpoints on interactive art, evaluation and audience experience E Edmonds, Z Bilda, L Muller Digital Creativity 20 (3), 141-151, 2009 | 81 | 2009 |
| Living Laboratories: Making and Curating Interactive Art. L Muller, EA Edmonds SIGGRAPH Art Gallery, 160, 2006 | 58 | 2006 |
| Creating affective visualisations for a physiologically interactive artwork L Muller, G Turner, G Khut, E Edmonds Tenth International Conference on Information Visualisation (IV'06), 651-657, 2006 | 41 | 2006 |
| Re-sensitising the body: interactive art and the Feldenkrais method L Loke, GP Khut, M Slattery, C Truman, L Muller, J Duckworth International Journal of Arts and Technology 6 (4), 339-356, 2013 | 39 | 2013 |
| Between real and ideal: documenting media art C Jones, L Muller Leonardo 41 (4), 418-419, 2008 | 37 | 2008 |
| Understanding third space: evaluating art-science collaboration L Muller, J Bennett, L Froggett, V Bartlett | 29 | 2015 |
| Towards an oral history of new media art L Muller Daniel Langlois Foundation, 2008 | 29 | 2008 |
| Emergent knowledge in the third space of art-science L Muller, L Froggett, J Bennett Leonardo 53 (3), 321-326, 2020 | 28 | 2020 |
| The experience of interactive art: a curatorial study E Muller | 27 | 2008 |
| Evolving Creative Practice: A reflection on working with audience experience in Cardiomorphologies G Khut, L Muller Vital Signs: Creative Practice & New Media Now 21, 2005 | 27 | 2005 |
| Psychosocial aesthetics and the art of lived experience J Bennett, L Froggett, L Muller Journal of Psychosocial Studies 12 (1-2), 185-201, 2019 | 21 | 2019 |
| The work of the audience: visual matrix methodology in museums L Froggett, L Muller, J Bennett Cultural Trends 28 (2-3), 162-176, 2019 | 17 | 2019 |
| Memory loss and scenic experience: an arts based investigation J Bennett, L Froggett, G Kenning, JY Manley, L Muller Forum: Qualitative Social Research Sozialforschung 20 (1), 13, 2019 | 13 | 2019 |
| Speculative objects: materialising science fiction. L Muller ISEA International, 2013 | 11 | 2013 |
| Take Part: Participatory methods in art and design L Muller, L Loke Proceedings of the 11th Biennial Participatory Design Conference, 283-284, 2010 | 11 | 2010 |
| Dangerous learning in edgy contexts: creativity and innovation in the South African arts domain K Dovey, L Muller International Journal of Lifelong Education 30 (5), 613-629, 2011 | 10 | 2011 |
| Collecting experience: the multiple incarnations of Very Nervous System L Muller New Collecting: Exhibiting and Audiences after New Media Art, 183-202, 2016 | 9 | 2016 |
Ernest EdmondsDe Montfort UniversityVerified email at ernestedmonds.com
