| Neo-Baroque aesthetics and contemporary entertainment A Ndalianis Cambridge, MA: The MIT Press, 2004 | 624 | 2004 |
| Special Effects, Morphing Magic, and the 90s Cinema of Attractions A Ndalianis Meta Morphing: Visual Transformation and the Culture of Quick-Change, 251-71, 2000 | 231* | 2000 |
| The horror sensorium: media and the senses A Ndalianis McFarland, 2012 | 167 | 2012 |
| Television and the Neo-Baroque A Ndalianis The contemporary television serial, 83-101, 2005 | 119 | 2005 |
| The Contemporary Comic Book Superhero A Ndalianis The Contemporary Comic Book Superhero, 2009 | 74 | 2009 |
| Why comics studies? A Ndalianis Cinema Journal 50 (3), 113-117, 2011 | 61 | 2011 |
| Neoliberalism and commodity production in Mexico T Weaver, JB Greenberg, WL Alexander, A Browning-Aiken University Press of Colorado, 2012 | 56 | 2012 |
| Do we need another hero? A Ndalianis Super/Heroes: From Hercules to Superman, 1-9, 2007 | 54* | 2007 |
| Lexikon of the Hispanic Baroque: Transatlantic Exchange and Transformation E Levy, K Mills University of Texas Press, 2014 | 39 | 2014 |
| Enter the Aleph: Superhero worlds and hypertime realities A Ndalianis The Contemporary Comic Book Superhero, 270-90, 2009 | 36 | 2009 |
| The Frenzy of the Visible: Spectacle and Motion in the Era of the Digital A Ndalianis Senses of Cinema, 2000 | 36 | 2000 |
| Fans and videogames: histories, fandom, archives M Swalwell, A Ndalianis, H Stuckey Routledge, 2017 | 33 | 2017 |
| Hannibal: A Disturbing Feast for the Senses A Ndalianis Journal of Visual Culture 14 (3), 279-284, 2015 | 33 | 2015 |
| Stars in our eyes: the star phenomenon in the contemporary era A Ndalianis, C Henry Greenwood Publishing Group, 2002 | 33 | 2002 |
| The popular memory archive: Collecting and exhibiting player culture from the 1980s H Stuckey, M Swalwell, A Ndalianis Making the history of computing relevant, 215-225, 2013 | 32 | 2013 |
| Comic Book Superheroes: An Introduction ANGELA NDALIANIS A Ndalianis The contemporary comic book superhero, 17-29, 2009 | 31 | 2009 |
| Dark rides, hybrid machines and the horror experience A Ndalianis Horror Zone: the Cultural Experience of Contemporary Horror Cinema, 2010 | 30 | 2010 |
| Baroque perceptual regimes A Ndalianis Special Effects/Special Affects, 2000 | 30 | 2000 |
| Genre, culture and the semiosphere: New Horror cinema and post-9/11 A Ndalianis International Journal of Cultural Studies 18 (1), 135-151, 2015 | 28 | 2015 |
| Remembering & exhibiting games past: The popular memory archive H Stuckey, M Swalwell, A Ndalianis, D De Vries Transactions of the Digital Games Research Association 2 (1), 2015 | 25 | 2015 |
Helen StuckeyRMIT UniversityVerified email at rmit.edu.au
Helen StuckeyRMIT UniversityVerified email at rmit.edu.au