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Co-authors
- Brecht De ManHead of Research, PXL-MusicVerified email at pxl.be
- Mark SandlerQueen Mary University of LondonVerified email at qmul.ac.uk
- David MoffatPlymouth Marine LaboratoryVerified email at pml.ac.uk
- Christian J. SteinmetzQueen Mary University of LondonVerified email at qmul.ac.uk
- Ryan StablesProf. Digital Audio, Digital Media Technology Lab, Birmingham City University.Verified email at bcu.ac.uk
- Wing-Kuen LingGuangdong University of TechnologyVerified email at gdut.edu.cn
- Nicholas JillingsBirmingham City UniversityVerified email at mail.bcu.ac.uk
- Rod SelfridgeLecturer in Interactive Audio, Edinburgh Napier UniveristyVerified email at napier.ac.uk
- Marco A. Martinez-RamirezMusic technology researcher, Sony AIVerified email at sony.com
- Lin WangQueen Mary University of LondonVerified email at qmul.ac.uk
- David RonanRoExVerified email at roexaudio.com
- Pedro PestanaUniversidade AbertaVerified email at porto.ucp.pt
- George FazekasQueen Mary University of LondonVerified email at qmul.ac.uk
- Michael TerrellQueen Mary University of LondonVerified email at eecs.qmul.ac.uk
- Asterios ZacharakisResearch Associate at the School of Music Studies of the Aristotle University of ThessalonikiVerified email at mus.auth.gr
- Alice CliffordLecturer, University of West LondonVerified email at uwl.ac.uk
- Andrea CavallaroDirector, Idiap Research Institute; Professor, EPFLVerified email at epfl.ch
- Konstantinos PastiadisARISTOTLE UNIVERSITY OF THESSALONIKIVerified email at mus.auth.gr
- Hatice GunesFull Professor of Affective Intelligence & Robotics, University of Cambridge; EPSRC FellowVerified email at cl.cam.ac.uk
- Tony StockmanQueen Mary University of LondonVerified email at qmul.ac.uk