| Explorations in new cinema history: Approaches and case studies R Maltby, D Biltereyst, P Meers John Wiley & Sons, 2011 | 276 | 2011 |
| The international telenovela debate and the contra-flow argument: A reappraisal D Biltereyst, P Meers Media, Culture & Society 22 (4), 393-413, 2000 | 190 | 2000 |
| Going to the movies: Hollywood and the social experience of cinema R Maltby, M Stokes, R Allen University of Exeter Press, 2007 | 152 | 2007 |
| Resisting American hegemony: A comparative analysis of the reception of domestic and US fiction D Biltereyst European Journal of Communication 6 (4), 469-497, 1991 | 134 | 1991 |
| Cinema, audiences and modernity: an introduction D Biltereyst, R Maltby, P Meers Cinema, Audiences and Modernity, 1-16, 2013 | 127 | 2013 |
| Slashing the fiction of queer theory: Slash fiction, queer reading, and transgressing the boundaries of screen studies, representations, and audiences F Dhaenens, S Van Bauwel, D Biltereyst Journal of Communication Inquiry 32 (4), 335-347, 2008 | 125 | 2008 |
| Language and culture as ultimate barriers? An analysis of the circulation, consumption and popularity of fiction in small European countries D Biltereyst European Journal of Communication 7 (4), 517-540, 1992 | 118 | 1992 |
| The Routledge companion to new cinema history D Biltereyst, R Maltby, P Meers Routledge, 2019 | 88* | 2019 |
| Locating the moving image: New approaches to film and place J Hallam, L Roberts Indiana University Press, 2013 | 88 | 2013 |
| Memories of cinemagoing and film experience: An introduction A Kuhn, D Biltereyst, P Meers Memory Studies 10 (1), 3-16, 2017 | 86 | 2017 |
| New cinema history and the comparative mode: Reflections on comparing historical cinema cultures D Biltereyst, P Meers Alphaville 11, 13-32, 2016 | 84 | 2016 |
| Media audiences and the game of controversy: On reality TV, moral panic and controversial media stories D Biltereyst Journal of Media Practice 5 (1), 7-24, 2004 | 78 | 2004 |
| The X-factor of charity: a critical analysis of celebrities’ involvement in the 2010 Flemish and Dutch Haiti relief shows O Driessens, S Joye, D Biltereyst Media, Culture & Society 34 (6), 709-725, 2012 | 76 | 2012 |
| Silencing cinema: Film censorship around the world D Biltereyst, RV Winkel, RV Winkel Springer, 2013 | 71 | 2013 |
| Qualitative audience research and transnational media effects: a new paradigm? D Biltereyst European Journal of Communication 10 (2), 245-270, 1995 | 62 | 1995 |
| Triangulation in historical audience research: Reflections and experiences from a multimethodological research project on cinema audiences in Flanders D Biltereyst, K Lotze, P Meers Participations: journal of audience and reception studies.-Middlesex 9 (2 …, 2012 | 59 | 2012 |
| Reality TV, troublesome pictures and panics. Reappraising the public controversy around Reality TV in Europe D Biltereyst Understanding reality television, 91-110, 2004 | 57 | 2004 |
| Glocalized Telenovelas and National Identities: A “Textual Cum Production” Analysis of the “Telenovelle” Sara, the Flemish Adaptation of Yo soy Betty, la fea F Adriaens, D Biltereyst Television & New Media 13 (6), 551-567, 2012 | 54 | 2012 |
| Metropolitan vs rural cinemagoing in Flanders, 1925–75 P Meers, D Biltereyst, L Van De Vijver Screen 51 (3), 272-280, 2010 | 49 | 2010 |
| Public service broadcasting, popular entertainment and the construction of trust D Biltereyst European Journal of Cultural Studies 7 (3), 341-362, 2004 | 49 | 2004 |
Stijn JoyeGhent University (Belgium)Bestätigte E-Mail-Adresse bei ugent.be
