David R. W. Sears

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Citations	375	294
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Stephen McAdamsMcGill UniversityVerified email at mcgill.ca
Gerhard WidmerProfessor of Computer Science, Johannes Kepler University LinzVerified email at jku.at
William CaplinSchulich School of Music at McGill UniversityVerified email at mcgill.ca
Marcus PearceQueen Mary University of LondonVerified email at qmul.ac.uk
Filip KorzeniowskiMoises.AIVerified email at superfuzz.me
Keith S. JonesProfessor of Psychology, Texas Tech UniversityVerified email at ttu.edu
Akbar Siami NaminProfessor of Computer Science, Texas Tech UniversityVerified email at ttu.edu
Faranak AbriSan Jose State UniversityVerified email at sjsu.edu
Luis Felipe GutierrezMicrosoft, Texas Tech UniversityVerified email at ttu.edu
David ForrestTexas Tech UniversityVerified email at ttu.edu
Harald FrostelDepartment for Computational Perception, Johannes Kepler University, Linz, AustriaVerified email at jku.at
Andreas ArztAppleVerified email at apple.com
Konstantinos TrochidisSiemens Financial ServicesVerified email at siemens.com
Manuela M. MarinUniversity of Vienna, AustriaVerified email at uibk.ac.at
Mattson OggVerified email at umd.edu
Hannah PercivalHouston Community CollegeVerified email at hccs.edu
Maarten GrachtenIndependent Machine Learning ConsultantVerified email at grachten.eu
Carlos Eduardo Cancino-ChacónJohannes Kepler University LinzVerified email at jku.at
Prerit DattaAssistant Professor - The College of New JerseyVerified email at tcnj.edu
Louis BigoUniversité de Bordeaux, ENSEIRB-MATMECA, LaBRI, SCRIMEVerified email at u-bordeaux.fr

David R. W. Sears

Associate Professor, Interdisciplinary Arts, Texas Tech University

Verified email at ttu.edu - Homepage

Music Theory Music Perception and Cognition Empirical Musicology Psychophysiology Digital


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Perceiving the classical cadence DRW Sears, WE Caplin, S McAdams Music Perception: An Interdisciplinary Journal 31 (5), 397-417, 2014	63	2014
Simulating melodic and harmonic expectations for tonal cadences using probabilistic models DRW Sears, MT Pearce, WE Caplin, S McAdams Journal of New Music Research, 2017	48	2017
Psychophysiological responses to auditory change L Chuen, DRW Sears, S McAdams Psychophysiology, 2016	42	2016
Modeling harmony with skip-grams DRW Sears, A Arzt, H Frostel, R Sonnleitner, G Widmer Proceedings of the 18th International Society for Music Information …, 2017	23	2017
Expectations for tonal cadences: Sensory and cognitive priming effects DRW Sears, MT Pearce, J Spitzer, WE Caplin, S McAdams Quarterly Journal of Experimental Psychology 72 (6), 1422-1438, 2019	22	2019
The perception of cadential closure DRW Sears What is a cadence? Theoretical and analytical perspectives on cadences in …, 2015	22	2015
A large-scale study of language models for chord prediction F Korzeniowski, DRW Sears, G Widmer Proceedings of the 2018 IEEE International Conference on Acoustics, Speech …, 2018	20	2018
The classical cadence as a closing schema: Learning, memory, and perception DRW Sears McGill University, 2016	20	2016
Psychophysiological indices of music-evoked emotions in musicians M Ogg, DRW Sears, M Marin, S McAdams Music Perception 34 (6), 2017	18	2017
Psychophysiological measures of emotional response to Romantic orchestral music and their musical and acoustic correlates K Trochidis, DRW Sears, DL Trân, S McAdams From Sounds to Music and Emotions, 44-57, 2012	18	2012
Expecting the end: Continuous expectancy ratings for tonal cadences DRW Sears, J Spitzer, WE Caplin, S McAdams Psychology of Music 48 (3), 358-375, 2020	14	2020
Beneath (or beyond) the surface: Discovering voice-leading patterns with skip-grams DRW Sears, G Widmer Journal of Mathematics and Music, 2020	13	2020
Triadic patterns across classical and popular music corpora: Stylistic conventions, or characteristic idioms? DRW Sears, D Forrest Journal of Mathematics and Music, 2021	12	2021
Automatic estimation of harmonic tension by distributed representation of chords A Nikrang, DRW Sears, G Widmer Proceedings of the 13th International Symposium on Computer Music …, 2017	8	2017
Predicting Emotions Perceived from Sounds F Abri, LF Gutiérrez, AS Namin, DRW Sears, KS Jones 2020 IEEE International Conference on Big Data (Big Data), 2057-2064, 2020	7	2020
Evaluating language models of tonal harmony DRW Sears, F Korzeniowski, G Widmer Proceedings of the 19th International Society for Music Information …, 2018	7	2018
A Comparative Analysis of Modeling and Predicting Perceived and Induced Emotions in Sonification F Abri, LF Gutiérrez, P Datta, DRW Sears, A Siami Namin, KS Jones Electronics 10 (20), 2519, 2021	5	2021
What were you expecting? Using expectancy features to predict expressive performances of classical piano music CE Cancino-Chacón, M Grachten, DRW Sears, G Widmer Proceedings of Music and Machine Learning (MML 2017), 2017	5	2017
Does order matter? Harmonic priming effects for scrambled tonal chord sequences DRW Sears, JE Verbeten, HM Percival Journal of Experimental Psychology: Human Perception and Performance, 2023	3	2023
Intonation discrimination for tonal chord sequences in a priming paradigm: Effects of target predictability and musical expertise DRW Sears, J Verbeten, HM Percival Auditory Perception and Cognition, 2021	2	2021

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