| Musical parallelism and melodic segmentation:: A computational approach E Cambouropoulos Music Perception 23 (3), 249-268, 2006 | 207 | 2006 |
| The local boundary detection model (LBDM) and its application in the study of expressive timing E Cambouropoulos ICMC, 8, 2001 | 195 | 2001 |
| Towards a general computational theory of musical structure E Cambouropoulos | 152 | 1998 |
| Algorithms for computing approximate repetitions in musical sequences E Cambouropoulos, M Crochemore, C Iliopoulos, L Mouchard, Y Pinzon International Journal of Computer Mathematics 79 (11), 1135-1148, 2002 | 127 | 2002 |
| Pattern processing in melodic sequences: Challenges, caveats and prospects E Cambouropoulos, T Crawford, CS Iliopoulos Computers and the Humanities 35 (1), 9-21, 2001 | 115 | 2001 |
| Coinvent: Towards a computational concept invention theory M Schorlemmer, A Smaill, KU Kühnberger, O Kutz, S Colton, ... | 90 | 2014 |
| Voice and stream: Perceptual and computational modeling of voice separation E Cambouropoulos Music Perception 26 (1), 75-94, 2008 | 90 | 2008 |
| Beat tracking with musical knowledge S Dixon, E Cambouropoulos ECAI, 626-630, 2000 | 84 | 2000 |
| From MIDI to traditional musical notation E Cambouropoulos Proceedings of the AAAI Workshop on Artificial Intelligence and Music …, 2000 | 78 | 2000 |
| Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface E Cambouropoulos Joint International Conference on Cognitive and Systematic Musicology, 277-293, 1996 | 72 | 1996 |
| Melodic cue abstraction, similarity, and category formation: A formal model E Cambouropoulos Music Perception 18 (3), 347-370, 2001 | 71 | 2001 |
| Perceptual smoothness of tempo in expressively performed music S Dixon, W Goebl, E Cambouropoulos Music Perception 23 (3), 195-214, 2006 | 66 | 2006 |
| Computational invention of cadences and chord progressions by conceptual chord-blending M Eppe, R Confalonieri, E Maclean, M Kaliakatsos, E Cambouropoulos, ... Twenty-Fourth International Joint Conference on Artificial Intelligence, 2015 | 60 | 2015 |
| An idiom-independent representation of chords for computational music analysis and generation E Cambouropoulos, MA Kaliakatsos-Papakostas, C Tsougras ICMC, 2014 | 51 | 2014 |
| Pitch spelling: A computational model E Cambouropoulos Music Perception 20 (4), 411-429, 2003 | 51 | 2003 |
| A general pitch interval representation: Theory and applications E Cambouropoulos Journal of New Music Research 25 (3), 231-251, 1996 | 50 | 1996 |
| Automated motivic analysis via melodic clustering E Cambouropoulos, G Widmer Journal of New Music Research 29 (4), 303-317, 2000 | 49 | 2000 |
| How similar is similar? E Cambouropoulos Musicae Scientiae 13 (1_suppl), 7-24, 2009 | 44 | 2009 |
| Probabilistic harmonization with fixed intermediate chord constraints. M Kaliakatsos-Papakostas, E Cambouropoulos ICMC, 2014 | 40 | 2014 |
| Automatic pitch spelling: From numbers to sharps and flats E Cambouropoulos Intervals 4 (5P), 2M, 2001 | 39 | 2001 |
Maximos Kaliakatsos-PapakostasAthena RCVerified email at athenarc.gr
